Photo by Timothy Lloyd.
An entire wall in my parents’ living room is devoted to my dad’s record collection. Yes, records, what The Kids These Days call “vinyl”–not CDs, although he has those by the hundreds too, a collection constantly in flux. He orders new CDs, makes room in tucked-away boxes for those he likes, sells those he doesn’t. But the shelves, heavy squares stacked two or three high, are reserved for records, a mostly static collection after forty years of sifting and winnowing, evaluation and barter.
He has all the classics that make my vinyl-collecting friends drool. His tastes are broad: rock, jazz, and blues are his favorites, but there is also space for zydeco, tejano, folk, a little big band, reggae, Motown, old-school country. There is some labyrinthine organizational system that only he can decipher; every time I think I’ve got it (“All the British Invasion artists are in the same place!”), something throws me for a loop and I give up again.
Now that my taste has matured beyond the stuff made by boys who wear girls’ pants and girls who don’t wear pants, my musical preferences and my dad’s have begun to converge. We trade CDs. My friends occasionally run into him at shows.
As a result of my father’s long-running love for rock history, my musical education is 27 years in the making–nine months before I was born, because it began in the womb. When I was yet to be born, kicking my mother in the stomach, my parents quickly figured out that playing Eric Clapton would put me to sleep. (Still does, actually.) At four, my favorite song was “Octopus’s Garden.” At seven, it was Sam the Sham and the Pharaohs’ “Oh, That’s Good, No, That’s Bad.” At nine, there wasn’t a Supremes song I couldn’t lip-synch to. At 15, I wrote a ten-page term paper on the history of punk. At 16, I saw Bob Dylan live and went to a jazz concert at the Village Vanguard. At 17, I watched Monterey Pop. For my 21st birthday, my dad took me to all the south-side Chicago blues clubs that he had gone to when he was my age and just learning to like the blues.


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